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Prayer Book Communion and The Spanish Tragedy

Bibliographic Data

ID16347262
AuthorsLucas Simpson (University of Victoria, corresponding author)
Year2022
Volume45
Issue1
Pages109-132
Publication date2022-08-11
Open AccessYes
TypeARTICLE
VenueRenaissance and Reformation (JOURNAL)
Journal identifiersISSN: 0034-429X • E-ISSN: 2293-7374
PublisherUniversity of Toronto Libraries - UOTL (PUBLISHER)
DOI10.33137/rr.v45i1.39116
OpenAlexW4296571136
LanguageEN
References cited9

This article reads Thomas Kyd’s The Spanish Tragedy within the context of the popular practice of the Prayer Book Communion service contemporary with the play’s performances in Elizabethan playhouses. It stresses the continuities between Kyd’s theatrical appropriation of the Eucharist and a popular conception of the Communion service that emphasizes its role in establishing and affirming public reconciliation, neighbourly concord, and parochial unity. Through an allusion to the Eucharist in Hieronimo’s handkerchief, The Spanish Tragedy deploys the Communion’s penitential, soteriological, and communitarian associations to serve its uniquely theatrical ends. The play’s metatheatrical thematization of representational modalities allows the audience to collectively confront their own sinful desire and then witness their pardon from punishment for that desire at the expense of the onstage representational substitutes

Aesthetics · Allusion · Appropriation · Art · Context (archaeology · Epistemology · Eucharist · Literature · Penitential · Prayer · Theology · Tragedy (event · Witness · Worship · Early Modern Spanish Literature · History · Philosophy · Renaissance and Early Modern Studies · Theater, Performance, and Music History

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Highly citedNo

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