Occult Arts and Doctrine in the Theater of Juan Ruiz de Alarcón
Bibliographic Data
| ID | 16347462 |
|---|---|
| Authors | Augusta Espantoso Foley (corresponding author), O Hegyi |
| Year | 1969 |
| Volume | 10 |
| Issue | 1 |
| Pages | 58-60 |
| Publication date | 1969-12-31 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Renaissance and Reformation (JOURNAL) |
| Journal identifiers | ISSN: 0034-429X • E-ISSN: 2293-7374 |
| Publisher | University of Toronto Libraries - UOTL (PUBLISHER) |
| DOI | 10.33137/rr.v10i1.13787 |
| OpenAlex | W2736228616 |
| Language | EN |
objective criteria will be utilized."Whenever possible, manuscript copies and early printed forms of the plays are referred to.Dr. Clark further explains his purpose (p. 30): "to accumulate all the possible non-Lopean elements in the comedias in order to determine whether they provide sufficient evi- dence to warrant rejection of these plays as being by Lope and thus contribute in a small way to the establishment of a canon of Lope's comedias.'"After the detailed scrutiny of each play in the manner described, there is a good summing up, and "Conclusions" reached (and I would say proven) are that "The accumulation of non-Lopean elements revealed in the study of these ten comedias provide sufficient evi- dence for rejecting the plays from a canon of the dramatist's authentic works."(p.177) The "résumé of the most noticeable non-Lopean elements in the plays studied" (pp. 178
Art · Art history · Doctrine · Occult · The arts · Theology · Visual arts · Early Modern Spanish Literature · Historical Art and Architecture Studies · Libraries, Manuscripts, and Books · Medicine · Philosophy
| Highly cited | No |
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