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Occult Arts and Doctrine in the Theater of Juan Ruiz de Alarcón

Bibliographic Data

ID16347462
AuthorsAugusta Espantoso Foley (corresponding author), O Hegyi
Year1969
Volume10
Issue1
Pages58-60
Publication date1969-12-31
Open AccessNo
TypeARTICLE
VenueRenaissance and Reformation (JOURNAL)
Journal identifiersISSN: 0034-429X • E-ISSN: 2293-7374
PublisherUniversity of Toronto Libraries - UOTL (PUBLISHER)
DOI10.33137/rr.v10i1.13787
OpenAlexW2736228616
LanguageEN

objective criteria will be utilized."Whenever possible, manuscript copies and early printed forms of the plays are referred to.Dr. Clark further explains his purpose (p. 30): "to accumulate all the possible non-Lopean elements in the comedias in order to determine whether they provide sufficient evi- dence to warrant rejection of these plays as being by Lope and thus contribute in a small way to the establishment of a canon of Lope's comedias.'"After the detailed scrutiny of each play in the manner described, there is a good summing up, and "Conclusions" reached (and I would say proven) are that "The accumulation of non-Lopean elements revealed in the study of these ten comedias provide sufficient evi- dence for rejecting the plays from a canon of the dramatist's authentic works."(p.177) The "résumé of the most noticeable non-Lopean elements in the plays studied" (pp. 178

Art · Art history · Doctrine · Occult · The arts · Theology · Visual arts · Early Modern Spanish Literature · Historical Art and Architecture Studies · Libraries, Manuscripts, and Books · Medicine · Philosophy

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