Ben Jonson and Theatre
Performance, Practice, and Theory
Bibliographic Data
| ID | 16347656 |
|---|---|
| Authors | R Cavé (0000-0002-6410-8200, corresponding author), Elizabeth Schafer, Brian Woolland, Robert C Evans |
| Year | 2000 |
| Volume | 36 |
| Issue | 2 |
| Pages | 101-102 |
| Publication date | 2000-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Renaissance and Reformation (JOURNAL) |
| Journal identifiers | ISSN: 0034-429X • E-ISSN: 2293-7374 |
| Publisher | University of Toronto Libraries - UOTL (PUBLISHER) |
| DOI | 10.33137/rr.v36i2.8616 |
| OpenAlex | W1494285193 |
| Language | EN |
| Citations received | 8 |
This collection of essays examines the Jonson canon from the viewpoint of the theatre practitioner. Bridging the divide between theory & practice it shows how his drama operates in performance and includes discussion with practitioners
Art · Art history · Drama · Field (mathematics · Literature · Performance art · Point (geometry · Sociology · The Renaissance · Theatre director · Theatre studies · Visual arts · Shakespeare, Adaptation, and Literary Criticism
| Unique citing works | 8 |
|---|---|
| Citations per year | 0.36 |
| Citation span | 2004 - 2015 (12) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 8 |