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Epistolary Masks

Self-Presentation and Dissimulation in the Letters of Isabella d'Este

Bibliographic Data

ID16474170
AuthorsSarah Cockram (Institute of History and Archaeology, corresponding author)
Year2009
Volume64
Issue1
Pages20-37
Publication date2009-03-01
Open AccessNo
TypeARTICLE
VenueItalian Studies (JOURNAL)
Journal identifiersISSN: 0075-1634 • E-ISSN: 1748-6181
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1179/174861809x405773
OpenAlexW2023984141
LanguageEN
Citations received3

Isabella d'Este (marchesa of Mantua, 1490–1539) desired personal authority in the political, cultural, and social spheres, while also seeking dynastic advancement. Her extensive correspondence, now in the Mantuan State Archive, was a key instrument of aggrandisement. It reveals Isabella's image management, her manipulation of the epistolary form, and the power-sharing dynamic with her husband Francesco Gonzaga. This article examines letters in which Isabella used masked simulatory or dissimulatory communication in pursuit of her aims. These epistolary masking techniques range from ciphers, with undisguised concealment, to entire fake letters. The use of letters as works of art and artifice is also seen in Isabella's expert forging of a letter from her absent husband in order to trick a Borgia spy, an example demonstrating teamwork of husband and wife. Such masking strategies provide an excellent illustration of self-presentation and power sharing in action

Art · Computer security · Humanities · Key (lock · Literature · Masking (illustration · Order (exchange · Political science · Politics · Power (physics · Presentation (obstetrics · Visual arts · Wife · Computer Science · Historical Influence and Diplomacy · History · Law · Medicine · Renaissance and Early Modern Studies · Renaissance Literature and Culture

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Citations per year0.21
Citation span2012 - 2021 (10)
Highly citedNo

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