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The Spectacle of the Unseen

Marco Bellocchio and Lure of the Catholic Church

Bibliographic Data

ID16475202
AuthorsClodagh Brook (0000-0001-8399-401X, University of Birmingham, corresponding author)
Year2013
Volume68
Issue3
Pages399-410
Publication date2013-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueItalian Studies (JOURNAL)
Journal identifiersISSN: 0075-1634 • E-ISSN: 1748-6181
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1179/0075163413z.00000000050
OpenAlexW1987193191
LanguageEN
Citations received1
References cited3

What is intriguing about Bellocchio's films is not so much their manifest attack on Catholicism across five decades of filmmaking but — reading against the surface of the films — the peculiar and continuing lure of the church. Focusing on Bellocchio's recent cinema (L'ora di religione and Il regista di matrimoni, especially), the article explores the transcending of the real, through the unseen and unsaid, at one end of the spectrum, and spectacle at the other. Following Baudrillard, spectacle is interpreted as a phenomenon which deals 'with the human in inhuman ways'. Bellocchio is read, here, as joining an artistic heritage which roots creativity in a mysterious divine source. Catholicism's iconography provides Bellocchio's cinema with a set of images without which his camera would lose its object. His films hint that Catholicism may remain deeply attractive in Italy's cinema, even where this is firmly disavowed

Aesthetics · Ambivalence · Art · Art history · Epistemology · Filmmaking · Iconography · Literature · Movie theater · Object (grammar · Phenomenon · Political science · Psychoanalysis · Spectacle · Italian Fascism and Post-war Society · Law · Philosophy · Photography and Visual Culture · Psychology · Visual Culture and Art Theory

  • Caught in between

    Open Access•Silvia Angeli•Religions•2018

  • Curiosity or Contempt

    Baz Kershaw•Theatre Journal•2003

Unique citing works1
Citations per year0.13
Citation span2018 - 2018 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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