The German Nachspiel in the Eighteenth Century
Bibliographic Data
| ID | 16536136 |
|---|---|
| Authors | Helga Stipa Madland (corresponding author), David G John |
| Year | 1993 |
| Volume | 16 |
| Issue | 3 |
| Pages | 548 |
| Publication date | 1993-10-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | German Studies Review (JOURNAL) |
| Journal identifiers | ISSN: 0149-7952 • E-ISSN: 2164-8646 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1432161 |
| OpenAlex | W2083092797 |
| Language | EN |
John defines the Nachspiel genre and undertakes an intensive investigation of its nature, function, and forms. By surveying theatrical writings of both eighteenth- and twentieth-century authors, he determines the prevailing understanding of the Nachspiel and many of the contradictions associated with it
Archaeology · Art · German · Political science · Arts, Culture, and Music Studies · German Literature and Culture Studies · History · Musicology and Musical Analysis
| Highly cited | No |
|---|