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The Romantic Performative

Language and Action in British and German Romanticism

Bibliographic Data

ID16536664
AuthorsElisabeth Krimmer (0000-0002-0744-606X, corresponding author), Angela Esterhammer
Year2002
Volume25
Issue2
Pages352
Publication date2002-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueGerman Studies Review (JOURNAL)
Journal identifiersISSN: 0149-7952 • E-ISSN: 2164-8646
PublisherJSTOR (PUBLISHER)
DOI10.2307/1433010
OpenAlexW595962042
LanguageEN
Citations received9

Preface A note on translations and abbreviations Introduction: locating the romantic performative 1. Of promises, contracts, and constitutions: speech-act philosophies and practices in Britain, 1775-1800 2. Kant, German idealism, and philosophies of language in action 3. The performative Humboldt 4. The performative Coleridge 5. Subjective and intersubjective speech acts in Holderlin's work 6. Kleist and the fragile performative order of the world 7. Godwin's philosophy and fiction: the resistance to performatives Conclusion Bibliography Index

Action (physics · Aesthetics · Art · German · Linguistics · Literature · Performative utterance · Physics · Romance · Romanticism · Classical Studies and Philology · German Literature and Culture Studies · Historical Architecture and Urbanism · Philosophy

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Unique citing works9
Citations per year0,39
Citation span2003 - 2022 (20)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 8

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