Putting History to the Question

Power, Politics, and Society in English Renaissance Drama

Bibliographic Data

ID16604391
AuthorsDaniel T Lochman (corresponding author)
Year2002
Volume33
Issue1
Pages246-247
Publication date2002-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSixteenth Century Journal (JOURNAL)
Journal identifiersISSN: 0361-0160 • E-ISSN: 2326-0726
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/4144279
OpenAlexW1974142406
LanguageEN
Citations received9

1. Stage and Social Order1. Servant Obedience and Master Sins: Shakespeare and the Bonds of Service2. This Gentle Gentleman: Social Change and the Language of Status in Arden of Faversham3. Massinger's Patriarchy: Social Vision of A New Way to Pay Old Debts4. The Tongues of Angels: Charity and the Social Order in City Madam5. In Everything Illegitimate: Imagining the Bastard in English Renaissance Drama6. Bastardy, Counterfeiting, and Misogyny in Revenger's Tragedy7. Amphitheaters in the Body: Playing with Hands on the Shakespearean Stage2. Race, Nation, Empire8. Changing Places in Othello9. Unproper Beds: Race, Adultery and the Hideous in Othello10. Mulattos, Blacks, and Indian Moors: Othello and Early Modern Constructions of Human Difference11. Putting History to the Question: An Episode of Torture at Bantam in Java, 160412. Material Flames: Romance, Empire, and Mercantile Fantasy in John Fletcher's Island Princess13. Broken English and Broken Irish: Nation, Language, and the Optic of Power in Shakespeare's Histories14. The Exact Map or Discovery of Human Affairs: Shakespeare and the Plotting of History15. World Beyond: Shakespeare and the Tropes of Translation

Art · Art history · Drama · Literature · Political science · Politics · Power (physics · Sociology · The Renaissance · History · Law · Philippine History and Culture · Shakespeare, Adaptation, and Literary Criticism

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