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Modal Counterpoint, Renaissance Style

Bibliographic Data

ID16609804
AuthorsW Richard Bowen (0000-0003-1756-8471, corresponding author)
Year2001
Volume32
Issue3
Pages861-862
Publication date2001-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSixteenth Century Journal (JOURNAL)
Journal identifiersISSN: 0361-0160 • E-ISSN: 2326-0726
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/2671566
OpenAlexW563390559
LanguageEN
Citations received4

1. Mode 2. General Rules 3. First Species 4. Second Species 5. Third species 6. Fourth Species 7. Fifth Species 8. Counterpoint with Repetition of a Motive 9. Motivic Variation 10. Cadence Formulas 11. Two Parts in Mixed Values 12. the Imitative Duo 13. Invertible Counterpoint 14. Three Parts 15. Three Parts in Mixed Values 16. The three-Vice Invertible Canon 18. Adding three parts in Mixed Values to a Cantus Firmus 19. Four Parts in Mixed Values 20. Composing a Whole Piece APPENDIX 1: TEXT SETTING APPENDIX 2: IMPROVISATION AND ORNAMENTATION APPENDIX 3: SOLMIZATION APPENDIX 4: SOME MOTIVE PLACEMENTS GLOSSARY AND INDEX BIBLIOGRAPHY

Art · Counterpoint · Glossary · Index (typography · Invertible matrix · Linguistics · Literature · Modal · Pure mathematics · Repetition (rhetorical device · Sociology · Style (visual arts · Computer Science · Mathematics · Philosophy · Renaissance Literature and Culture

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    Open Access•Massimiliano Guido, Peter Schubert•Music Theory Online•2014

  • Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries

    Open Access•Elizabeth Eva Leach, David Fallows et al.•Renaissance Quarterly•2015

  • De quelques fausses idées du contrepoint d’école et de leurs conséquences

    Open Access•Patrice Nicolas•Les Cahiers de la Société…•2014

Unique citing works4
Citations per year0,33
Citation span2014 - 2019 (6)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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