From Filippo Lippi to Piero della Francesca
Fra Carnevale and the Making of a Renaissance Master
Bibliographic Data
| ID | 16610415 |
|---|---|
| Authors | Dana E Katz (corresponding author) |
| Year | 2006 |
| Volume | 37 |
| Issue | 3 |
| Pages | 951-952 |
| Publication date | 2006-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Sixteenth Century Journal (JOURNAL) |
| Journal identifiers | ISSN: 0361-0160 • E-ISSN: 2326-0726 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/20478113 |
| OpenAlex | W1536397964 |
| Language | IT |
| Citations received | 2 |
In this fascinating book, Fra Carnivale - heretofore a mysterious, quasi-legendary figure - emerges as a well-defined and pivotal artist in Renaissance Florence. In presenting their case, the authors take the reader from the workshop of Filippo Lippi in Florence to Urbino, capital of Ferderico da Montefeltro's duchy in the region of the Marches. It was a road most memorably traveled by Piero della Francesca, who worked in Florence in 1439 and became Federico's favourite artist. This book shows that other lesser known artists like Fra Carnevale also took the same path. Among the many other artists - painters and sculptors - crucial to Fra Carnevale's formation and discussed in this volume are Domenico Veneziano, Luca della Robbia, Pesellino and Agostino di Duccio. Essays by Keith Christiansen, Andrea De Marchi and Matteo Ceriana, and a documentary appendix by Andrea Di Lorenzo and Matteo Mazzalupi, transform our knowledge of this exciting moment in the history of Renaissance art. Exhibition schedule: The Metropolitan Museum of Art, 1 Feburary to 1 May 2005
Art · Art history · Capital (architecture · Duchy · Exhibition · Favourite · Painting · Renaissance art · The Renaissance · Theology · Visual arts · Law · Philosophy · Renaissance and Early Modern Studies
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 2010 - 2020 (11) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |