The Court Artist
On the Ancestry of the Modern Artist
Bibliographic Data
| ID | 16610760 |
|---|---|
| Authors | Julian Clifton (0000-0003-4319-8865, corresponding author), James Clifton |
| Year | 1994 |
| Volume | 25 |
| Issue | 4 |
| Pages | 1023-1024 |
| Publication date | 1994-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Sixteenth Century Journal (JOURNAL) |
| Journal identifiers | ISSN: 0361-0160 • E-ISSN: 2326-0726 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/2542351 |
| OpenAlex | W2171159357 |
| Language | EN |
| Citations received | 4 |
Presents a detailed study of the ancestry of the modern artist, and the ideological transformation by which the artist emerged from his position as craftsman to that of artist engaged in an intellectual activity. Central to the book is an analysis of the court and the artist's role within it
Aesthetics · Art · Art history · Ideology · Political science · Politics · Position (finance · Visual arts · Law · Scottish History and National Identity
| Citations per year | 0.14 |
|---|---|
| Citation span | 1997 - 2013 (17) |
| Highly cited | No |