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Imago Triumphalis

The Function and Significance of Triumphal Imagery for Italian Renaissance Rulers

Bibliographic Data

ID16614394
AuthorsMichael Szurawitzki (0000-0002-7356-1410, corresponding author)
Year2006
Volume37
Issue2
Pages587-588
Publication date2006-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSixteenth Century Journal (JOURNAL)
Journal identifiersISSN: 0361-0160 • E-ISSN: 2326-0726
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/20477945
OpenAlexW580922585
LanguageEN
Citations received2
References cited15

Iago Triumphalis: The Function and Significance of Triumphal Imagery for Renaissance Rulers examines how independent rulers in fifteenth-century Italy used the motif of the Roman triumph for self-aggrandizement and personal expression. Triumphal imagery, replete with connotations of victory and splendor, was recognized during the Renaissance as a reflection of the glory of classical antiquity. Its appeal as a powerful visual bearer of meaning is evidenced by its appearance as a dominant theme in literature, architecture, and art. Rulers such as Alfonso of Aragon, Federico da Montefeltro, Sigismondo Malatesta, and Borso d'Este chose to incorporate the triumphal motif in major artistic commissions in which they were represented. They recognized that the image of the triumph could retain its classical associations while functioning as a highly personalized commentary

Aesthetics · Art · Art history · Glory · Italian Renaissance · Literature · Motif (music · Politics · Renaissance art · The Renaissance · Victory · Classics · Historical and Religious Studies of Rome · Historical Art and Architecture Studies · Law · Renaissance and Early Modern Studies

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Unique citing works2
Citations per year0,2
Citation span2016 - 2021 (6)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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