Puritanism and Theatre
Thomas Middleton and Opposition Drama under the Early Stuarts
Bibliographic Data
| ID | 16614796 |
|---|---|
| Authors | Diane Parkin-Speer (corresponding author) |
| Year | 1982 |
| Volume | 13 |
| Issue | 2 |
| Pages | 124-124 |
| Publication date | 1982-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Sixteenth Century Journal (JOURNAL) |
| Journal identifiers | ISSN: 0361-0160 • E-ISSN: 2326-0726 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/2540070 |
| OpenAlex | W2044503738 |
| Language | EN |
| Citations received | 17 |
Introductory note 1. Time and place 2. Puritanism, censorship and opposition to the theatre 3. Middleton as satirical journalist 4. Early satirical comedies 5. How anti-Puritan are Middleton's city comedies? 6. Money and morals in Middleton's city comedies 7. Middle years: tragi-comedy and moral comedy 8. City employments 9. Hard times and Hengist, King of Kent 10. Political satire: A Game at Chess 11. City tragedy 12. Drama and opposition, 1619-1640 13. From popular drama to leveller style: a postscript Appendices Index
Art · Drama · Literature · Opposition (politics · Political science · Politics · Financial Crisis of the 21st Century · Historical Economic and Social Studies · History · Law · Literature: history, themes, analysis
Placing Human Constants within Literary History
Theatre and the English Public from Reformation to Revolution
Middleton and Debt in Timon of Athens
Protestantism and Drama in Early Modern England
Redeeming beggary/buggery in Michaelmas Term
English Calvinism and the Crowd
Thomas Middleton's the Triumphs of Truth
As If the End They Purpos'd Were Their Own”
The Rhetoric of Providence
Sir Simonds D'Ewes and the levying of ship money, 1635–1640
A Case Study in Caroline Political Theatre
The Levellers and the Conquest of Ireland in 1649
English Bess’ abroad
Lying-in Like a Countess
Civic ceremony in early modern London
Crisis, criticism and seventeenth‐century English literature
The cunning Rhetor, the complicitous audience, the conned censor, and the critic
| Citations per year | 0.39 |
|---|---|
| Citation span | 1982 - 2018 (37) |
| Highly cited | No |