Fictions of the Pose
Rembrandt against the Italian Renaissance
Bibliographic Data
| ID | 16615919 |
|---|---|
| Authors | Larry Silver (0000-0001-7221-5930, corresponding author) |
| Year | 2001 |
| Volume | 32 |
| Issue | 3 |
| Pages | 882-884 |
| Publication date | 2001-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Sixteenth Century Journal (JOURNAL) |
| Journal identifiers | ISSN: 0361-0160 • E-ISSN: 2326-0726 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/2671582 |
| OpenAlex | W2335525493 |
| Language | EN |
| Citations received | 10 |
Introduction Part I. Early Modern Technologies and Politics of Representation and Their Consequences: 1. Technologies: the system of early modern painting 2. Politics: the apparatus of commissioned portraiture 3. Consequences: Sprezzatura and the Anxiety of self-representation Part II. Facing the Gaze: 4. The face as index of the mind: art historians and the physiognomic fallacy 5. Physiognomy, mimetic idealism, and social change 6. Elias on physiognomic skepticism: Homo Clausus and the anxiety of representation 7. Lacan on the narcissism of orthopsychic desire 8. Fictions of the pose (1): the fiction of objectivity 9. Fictions of the pose (2): representing orthopsychic desire Part III. The Embarrassment of Poses: On Dutch Portraiture: 10. Local matters 11. The posography of embarrassment: representational strategies in a decentralized class society 13. Rembrandt's embarrassment: an anatomy of group portraiture Part IV. Rembrandt's Looking-Glass Theater: 14. Methodological interlude II: on self-portraits 15. Good boys and bad: orthopsychic comedy in the early self-portraits 16. Marking time: revisionary allusion in specular fictions 17. Rembrandt as Burgher: waiting for Maerten Soolmans 18. Methodological interlude III: texture versus facture 19. Specular fictions in two etchings 20. Married with Peacock: Saskia in Rembrandt's looking-glass theater 21. Methodological interlude IV: on revisionary allusion - Rembrandt against the Italian Renaissance 22. Rembrandt as courtier 23. Rembrandt in chains: the Medici self-portrait 24. Rembrandt in Venice: the patriarch 25. (Ef)facing the hand 26. The last laugh: or, something more
Art · Art history · The Renaissance · Law in Society and Culture · Renaissance and Early Modern Studies · Visual Culture and Art Theory
| Citations per year | 0.43 |
|---|---|
| Citation span | 2003 - 2016 (14) |
| Highly cited | No |