Art Patronage and Piety in Electoral Saxony

Frederick the Wise Promotes the Veneration of His Patron, St. Bartholomew

Bibliographic Data

ID16618488
AuthorsPaul M Bacon (corresponding author)
Year2008
Volume39
Issue4
Pages973-1001
Publication date2008-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSixteenth Century Journal (JOURNAL)
Journal identifiersISSN: 0361-0160 • E-ISSN: 2326-0726
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/20479134
OpenAlexW2248856661
LanguageEN
Citations received2

Frederick the Wise was a leading patron of the visual arts in the early decades of the sixteenth century. This essay examines the Saxon elector’s choice of St. Bartholomew as his holy protector and promotion of the martyred saint in painting and the graphic arts as a leading intercessor for the Christian faithful. Frederick’s personal devotion to St. Bartholomew is examined as a microcosm of the apostle’s cult following on the eve of the Reformation. St. Bartholomew’s legendary noble status and popular veneration in Germany as a plague intercessor and protector of those in dire circumstances likely recommended him to Elector Frederick, whose ancestors likewise demonstrated a devotional affinity for the apostle. Lucas Cranach’s engraving Frederick the Wise Venerates His Patron St. Bartholomew can be viewed within the broader context of the elector’s ongoing efforts to promote in the visual media the cult of saints and relics as well as the dynastic cult of the House of Saxony

Ancient history · Art · Humanities · Piety · Political science · Veneration · Historical and Religious Studies of Rome · History · Law · Medieval European History and Architecture · Reformation and Early Modern Christianity