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Anonymous Works and Their Ascription to Famous Authors

Are They Cases of Mistaken Identity of an Outright Forgery

Bibliographic Data

ID16645434
AuthorsIsmail K Poonawala (1 University of California at Los Angeles, corresponding author)
Year2015
Volume62
Issue2-3
Pages404-410
Publication date2015-05-12
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueArabica (JOURNAL)
Journal identifiersISSN: 0570-5398 • E-ISSN: 1570-0585
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/15700585-12341353
OpenAlexW322801214
LanguageEN

The false attribution of anonymous works to famous authors is not unique to Islamic tradition in general and to Ismāʿīlī tradition in particular. Rather it is a very old problem dating back to ancient Greeks. The students of philosophy are familiar with this question as a number of spurious books circulated in the Middle Ages known as “pseudo-Aristotelian” or “pseudo-Ammonius.” However, the scholars have succeeded to disentangle the genuine from the counterfeit by using various critical tools at their disposal. In what follows I have tried to demonstrate that both Minhāǧ al-farāʾiḍ and Kitāb al-Yanābīʿ are falsely ascribed to the famous Ismāʿīlī law giver al-Qāḍī l-Nuʿmān. Any scholar who is fully familiar with the whole corpus of al-Nuʿmān’s works, especially with his numerous works on jurisprudence, would reject Cilardo’s claim to the contrary

Aesthetics · Art · Ascription · Authorship attribution · Counterfeit · Epistemology · Falsity · Fiqh · Greeks · Identity (music · Islam · Linguistics · Literature · Political science · Sharia · Theology · Classics · Families in Therapy and Culture · Islamic Studies and History · Islamic Thought and Society Studies · Law · Philosophy

Citation velocityhistorical
Highly citedNo

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