The Modernist Madonna
Semiotics of the Maternal Metaphor
Bibliographic Data
| ID | 16654027 |
|---|---|
| Authors | Susan K Harris (corresponding author), Jane Silverman Van Buren, Jane Buren |
| Year | 1991 |
| Volume | 10 |
| Issue | 2 |
| Pages | 305 |
| Publication date | 1991-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Tulsa Studies in Women s Literature (JOURNAL) |
| Journal identifiers | ISSN: 0732-7730 • E-ISSN: 1936-1645 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/464024 |
| OpenAlex | W573714880 |
| Language | EN |
| Citations received | 4 |
A well-organized, profound case for the reinterpretation of the creative woman in the nineteenth century. Carol RavenalFocusing on Harriet Beecher Stowe, Louisa May Alcott, Mary Cassatt, Tillie Olsen, and Alice Walker, Van Buren uses present-day critical and theoretical concepts to explore the relations among artists lives, works, and cultures
Art · Art history · Linguistics · Literature · Metaphor · Semiotics · Social semiotics · Sociology · Visual semiotics · Cultural History and Identity Formation · Historical Art and Culture Studies · Philosophy · Visual Culture and Art Theory
| Citations per year | 0.12 |
|---|---|
| Citation span | 1993 - 1995 (3) |
| Highly cited | No |