Three Musical Sources for Auden’s “Lullaby”
Bibliographic Data
| ID | 16673665 |
|---|---|
| Authors | Rodney Stenning Edgecombe (University of Cape Town, corresponding author) |
| Year | 2016 |
| Volume | 29 |
| Issue | 3 |
| Pages | 177-180 |
| Publication date | 2016-07-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | ANQ A Quarterly Journal of Short Articles Notes and Reviews (JOURNAL) |
| Journal identifiers | ISSN: 0895-769X • E-ISSN: 1940-3364 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0895769x.2016.1215899 |
| OpenAlex | W2560429980 |
| Language | EN |
Of the three musical sources that this essay will adduce for Auden’s celebrated “Lullaby,” the first is the least contentious. Auden’s list of the books that, according to Richard Davenport-Hines
Art · Linguistics · Literature · Musical · French Literature and Poetry · History · Philosophy · Poetry Analysis and Criticism
| Highly cited | No |
|---|