The Cartesian Beckett
The Mind-Body Split in Murphy and Happy Days
Bibliographic Data
| ID | 16674342 |
|---|---|
| Authors | Michael Y Bennett (0000-0002-1311-0669, University of Wisconsin–Whitewater, corresponding author) |
| Year | 2012 |
| Volume | 25 |
| Issue | 2 |
| Pages | 118-122 |
| Publication date | 2012-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | ANQ A Quarterly Journal of Short Articles Notes and Reviews (JOURNAL) |
| Journal identifiers | ISSN: 0895-769X • E-ISSN: 1940-3364 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/0895769x.2012.669662 |
| OpenAlex | W2163599043 |
| Language | EN |
| References cited | 1 |
Click to increase image sizeClick to decrease image size Notes 1For a more in-depth discussion of how Edith Kern's view of the absurd fits in with the history of Beckett criticism, especially surrounding the absurd, see my review essay, “Away from the Absurd?” 230–32
Absurdism · Aesthetics · Art · Art history · Criticism · Epistemology · Literature · Kierkegaardian Philosophy and Influence · Philosophy · Philosophy, Ethics, and Existentialism · Samuel Beckett and Modernism
| Citation velocity | historical |
|---|---|
| Highly cited | No |