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Do give up your day job

Basic income for artists, and other stories

Bibliographic Data

ID16684167
AuthorsJustin O’connor (0000-0002-8224-621X, The University of Adelaide, corresponding author), Sam Whiting (0000-0003-2747-089X, RMIT University), Tully Barnett (0000-0003-0269-5814, Adelaide University), Tully Barnet (The University of Adelaide)
Year2026
Pages1-16
Publication date2026-04-08
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCultural Trends (JOURNAL)
Journal identifiersISSN: 0954-8963 • E-ISSN: 1469-3690
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/09548963.2026.2655376
OpenAlexW7152017190
LanguageEN
Citations received1
References cited39

In the decade leading up to the Covid-19 pandemic, it seemed that Universal Basic Income (UBI) had burst through into the Overton window of acceptable ideas. The cultural sector suffered particularly harshly in the pandemic, yet in some countries parts of the sector were kept afloat by both cash transfers given to those affected by pandemic job losses, and by more targeted transfers aimed at the cultural sector. Consequently, many in the cultural sector embraced the idea of a “Basic Income for Artists” (BIA) as a solution to the financial challenges they collectively faced, often linked conceptually and politically to the wider claims of social equity and justice represented by a fully universal basic income programme. This paper addresses the complexities of debate around Basic Income for Artists (BIA) and Universal Basic Income (UBI) more broadly, offering an alternative and critical perspective.

Basic income · Comprehensive income · Income in kind · Low income · Art Education and Development · Crafts, Textile, and Design · Cultural Industries and Urban Development

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Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo

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