Cruising Dystopia
Bibliographic Data
| ID | 16705333 |
|---|---|
| Authors | B Ruberg (0000-0003-2759-7233, corresponding author) |
| Year | 2014 |
| Volume | 23 |
| Issue | 1 |
| Pages | 275-286 |
| Publication date | 2014-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Qui Parle (JOURNAL) |
| Journal identifiers | ISSN: 1041-8385 • E-ISSN: 1938-8020 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.5250/quiparle.23.1.0275 |
| OpenAlex | W1875282097 |
| Language | EN |
| References cited | 1 |
Product Review| June 01 2014 Cruising Dystopia: The Messy Optimism of Digital Connection in Shaka McGlotten's Virtual Intimacies A review of McGlotten, Shaka, Virtual Intimacies: Media, Affect, and Queer Sociality (Albany: State University of New York Press, 2013). Cited in the text as vi. Bonnie Ruberg Bonnie Ruberg Search for other works by this author on: This Site Google Qui Parle (2014) 23 (1): 275–286. https://doi.org/10.5250/quiparle.23.1.0275 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Bonnie Ruberg; Cruising Dystopia: The Messy Optimism of Digital Connection in Shaka McGlotten's Virtual Intimacies. Qui Parle 1 June 2014; 23 (1): 275–286. doi: https://doi.org/10.5250/quiparle.23.1.0275 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsQui Parle Search Advanced Search The text of this article is only available as a PDF. Copyright © 2014 Qui Parle2014 Article PDF first page preview Close Modal Issue Section: Review Essays You do not currently have access to this content
Art · Art history · Citation · Dystopia · Icon · Literature · Psychoanalysis · Queer · World Wide Web · Cinema and Media Studies · Computer Science · Digital Games and Media · Impact of Technology on Adolescents · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |