Musical Affect, Musical Citation, Music-Immanence
Kurt Weill and the White Stripes
Bibliographic Data
| ID | 16715448 |
|---|---|
| Authors | N A Brown (0000-0003-4744-4664), Nicholas Brown (0000-0002-0712-1281), Nicholas G Brown (0000-0002-9885-8464, corresponding author) |
| Year | 2015 |
| Volume | 25 |
| Issue | 2 |
| Publication date | 2015-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Postmodern Culture (JOURNAL) |
| Journal identifiers | ISSN: 1053-1920 • E-ISSN: 1053-1920 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/pmc.2015.0005 |
| OpenAlex | W2277148011 |
| Language | EN |
| References cited | 1 |
Beginning from an analysis of the anomalous position of music within Hegel’s system of aesthetics—a position that brings forth the peculiar quality of music as a medium—this essay asks how we are to conceive of musical meaning in an era when music’s relation to the market must be considered not separate from its formal specificity, but part as of the medium of music itself
Aesthetics · Affect (linguistics · Art · Epistemology · Linguistics · Literature · Meaning (existential · Music education · Music history · Musical · Musical composition · Musicality · Philosophy of music · Relation (database · Visual arts · White (mutation · Computer Science · Critical Theory and Philosophy · Music · Musicology and Musical Analysis · Nietzsche, Schopenhauer, and Hegel · Philosophy
| Highly cited | No |
|---|