An Interview with Thurston Moore
Bibliographic Data
| ID | 16715519 |
|---|---|
| Authors | Daniel Kane (0000-0002-9523-4840, corresponding author) |
| Year | 2014 |
| Volume | 25 |
| Issue | 1 |
| Publication date | 2014-09-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Postmodern Culture (JOURNAL) |
| Journal identifiers | ISSN: 1053-1920 • E-ISSN: 1053-1920 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/pmc.2014.0024 |
| OpenAlex | W2189089037 |
| Language | EN |
On August 13, 2013, I got together with Thurston Moore in his flat in Stoke Newington to discuss how his readings in contemporary American poetry influenced some of the songs on the recently-released self-titled album by his post-Sonic Youth band, Chelsea Light Moving. We never really got around to talking about the record, as we spent most of our three or so hours together having a wide-ranging conversation about Vito Acconci, Bernadette Mayer, the Poetry Project at St. Mark’s Church, Dan Graham, Dee Dee Ramone, Clark Coolidge, Lydia Lunch, and beyond. This is a condensed and lightly edited transcript of that conversation
Art · Art history · Conversation · Literature · Media studies · Poetry · Sociology · Communication · History · Poetry Analysis and Criticism
| Highly cited | No |
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