Of Other Jaguars
Glosses to the Writing of God
Bibliographic Data
| ID | 16715544 |
|---|---|
| Authors | Riccardo Baldissone (corresponding author) |
| Year | 2018 |
| Volume | 29 |
| Issue | 1 |
| Publication date | 2018-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Postmodern Culture (JOURNAL) |
| Journal identifiers | ISSN: 1053-1920 • E-ISSN: 1053-1920 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/pmc.2018.0033 |
| OpenAlex | W2965048031 |
| Language | EN |
| References cited | 3 |
Buried for decades in a deep and stony prison, the high priest Tzinacàn at last deciphers the message hidden by his god on the living skin of his jaguar companion. Yet, he is no longer interested in deploying the power of his discovery to rescue himself. This bitter moment in Borges’s La escritura del dios (“The writing of the god”) presents a narrative deconstruction of metaphysical ideas that may well apply to their modern revival in the language of science, as the quest for simple universal rules and the construction of fur patterns as cellular automata are not too far from the cabbalistic concerns of the Mayan prisoner. Even the autopoietic construction of the living risks contributing to the modern process of recasting ontotheology as physiology
Aesthetics · Art · Autopoiesis · Deconstruction (building · Epistemology · Literature · Metaphysics · Narrative · Power (physics · Simple (philosophy · Borges, Kipling, and Jewish Identity · History · Philosophy · Ecology
| Citation velocity | historical |
|---|---|
| Highly cited | No |