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Francis, Thou Art Translated

Shakespeare as Inspiration for Scenic Principle in Tomás Bretón and Ricardo de la Vega's Zarzuela La verbena de la paloma (1894)

Bibliographic Data

ID16773437
AuthorsJuan Pellicer (corresponding author), Juan Christian Pellicer
Year2008
Volume9
Issue2
Pages125-128
Publication date2008-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHispanic Research Journal (JOURNAL)
Journal identifiersISSN: 1468-2737 • E-ISSN: 1745-820X
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1179/174582008x272824
OpenAlexW1984499635
LanguageEN
References cited1

This article argues that Ricardo de la Vega, the librettist of Tomás Bretón's celebrated zarzuela La verbena de la paloma, modelled the famous Nocturno scene on Shakespeare's comic episode with Francis the drawer in 1 Henry IV, II.iv. La verbena has been praised for its urban realism, and the Nocturno, which depends on a minimum of action, takes this kind of realism to extreme lengths. Yet for all the scene's impression of being drawn from life, it derives from Ricardo de la Vega's highly perceptive reading and creative imitation of Shakespeare

Action (physics · Art · Comics · Humanities · Imitation · Literature · Physics · Realism · Theology · Thou · Vega · Early Modern Spanish Literature · Literature, Culture, and Aesthetics · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism

Citation velocityhistorical
Highly citedNo

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