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The Secret and the Stitch

Annet Couwenberg, Inside and Out

Bibliographic Data

ID16776949
AuthorsKathy O’dell (Artistic Realization Technologies, corresponding author), Kathy O'Dell (Kathy O'Dell is an art critic and historian of modern and contemporary art, with a focus on performance art. Since 2001, O'Dell has been Associate Dean of Arts, Humanities, and Social Sciences at UMBC.)
Year2012
Volume10
Issue1
Pages28-43
Publication date2012-03-01
Open AccessNo
TypeARTICLE
VenueTEXTILE (JOURNAL)
Journal identifiersISSN: 1475-9756 • E-ISSN: 1751-8350
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.2752/175183512x13267336595197
OpenAlexW2298859092
LanguageEN
References cited2

Annet Couwenberg's newest work with what she calls “relational fabric” has provided her with a platform from which to explore intercultural and transnational relations through the materiality of clothing and collaborative processes. On the one hand, such projects—the most recent carried out with Muslim women in the artist's native Rotterdam—mark her departure from a previous focus on sculptural, textile-related art installations. On the other hand, this new direction continues to reflect Couwenberg's signature interest, dating from her childhood in the Netherlands, in how interactions with fabric raise important cultural questions about one's experience of the private and the public, interior and exterior, here and there. This article examines the ways in which Couwenberg has consistently expressed these concepts through two powerful metaphors: the secret and the stitch

Aesthetics · Art · Clothing · Focus (optics · Materiality (auditing · Political science · Sociology · Visual arts · Crafts, Textile, and Design · Fashion and Cultural Textiles · Law · Public Spaces through Art

  • Visibly Muslim

    Emma Tarlo•Visibly Muslim•2010

  • Antagonism and Relational Aesthetics

    Claire Bishop•October•2004

Highly citedNo

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