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Um Corpo-Palhaça Que Luta

Arte, Gênero E Protesto

Bibliographic Data

ID16880014
AuthorsRomulo Santana Osthues (0000-0001-7479-9941, Universidade Estadual de Campinas (UNICAMP)), Laís Virginia Alves Medeiros (0000-0003-3467-8066, Universidade Estadual de Campinas (UNICAMP))
Year2023
Volume18
Issue1
Pages161-171
Publication date2023-10-24
Open AccessYes
TypeARTICLE
VenueRevista Crítica Cultural (JOURNAL)
Journal identifiersISSN: 1980-6493 • E-ISSN: 1980-6493
PublisherAnima Educação (PUBLISHER)
DOI10.59306/rcc.v18e12023161-171
OpenAlexW4403180515
LanguagePT

This work is theoretically anchored in Materialist Discourse Analysis and takes as its operation the description-interpretation of two photographs taken during the street demonstration called “Palhaceata Ele Não”, held in Rio de Janeiro on the eve of the second round of the 2018 presidential elections. Structured by different signifying materialities in composition (LAGAZZI, 2009, 2012, 2013), the photographs share a visual formulation that highlights the image of female bodies holding a sign with the statement “Fight like a clownette!” From the photographs, we recognize the intersection of discourses that refer to the knowledge of social movements, gender studies, and artistic practices, particularly those developed in the territory of theater, performance, and circus arts. In the analysis, we question how the clownette nose, the word clownette, and ultimately the clownette-body, materially intertwined, can be signified in one way or another and produce protest meaning effects

Mathematics · Physical Education and Sports Studies

Highly citedNo
Open DOIOpen Access
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