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As rupturas de sentido na teledramaturgia brasileira contemporânea

Bibliographic Data

ID16887842
AuthorsAdriana Pierre Coca (0000-0002-2576-7633, Universidade Federal do Rio Grande do Sul, corresponding author)
Year2015
Volume17
Issue2
Publication date2015-07-15
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueFronteiras - estudos midiáticos (JOURNAL)
Journal identifiersISSN: 1518-6113 • E-ISSN: 1984-8226
PublisherUNISINOS - Universidade do Vale do Rio Dos Sinos (PUBLISHER)
DOI10.4013/fem.2015.172.11
OpenAlexW1903451430
LanguagePT

The goal of this paper is to reflect upon the ruptures of meaning in Brazilian contemporary series. The theoretical-methodological framework is based on semiotics of culture. The reflection will be based on Lotman’s explosion concept (1999) in order to reflect upon how the aesthetic and narrative aspects observed in telefiction may provoke tension that leads to new meanings and makes us realize certain cultural systems which compose the semiosphere thought by Lotman (1999). We believe that, recurrently, productions have been shown, especially by the main open channel, TV Globo, which offer something unpredictable to the viewer in relation to visual aesthetics and also to narrative pathways and, thus, propose new ways of telling fiction stories on television. Keywords: fiction stories in television, ruptures of meaning, semiotics of culture

Political science · Cultural, Media, and Literary Studies · Education and Digital Technologies · Multimedia Communication and Technology

Citation velocityhistorical
Highly citedNo

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