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Pillage et (non) restitution des œuvres d’art aux Pays-Bas (1940-2001)

Bibliographic Data

ID16903864
AuthorsGerard Aalders, Claire Darmon
Year2007
Volume186
Issue1
Pages195-216
Publication date2007-03-08
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueRevue d’Histoire de la Shoah (JOURNAL)
Journal identifiersISSN: 2111-885X • E-ISSN: 2553-6141
PublisherCAIRN (PUBLISHER)
DOI10.3917/rhsho.186.0195
OpenAlexW2587272346
LanguageFR

The German system of looting in the Netherlands during the World War II has been remarkably systematic and it were mostly Jews who fell victim to the greed of the German occupiers. The expropriations in the Low Countries were generally based on decrees (Verordnungen) which had the force of statute law. The looting of art has been a special chapter in the history of spoliation. Adolf Hitler and the second man of the Reich, Hermann Goring, were both interested in art with a preference for paintings and sculptures. Both men had their own special agent for the acquiring of pieces of art in the Netherlands. The Dutch government in exile (London) prepared laws to restitute the looted possessions to their lawful owners. So both looting and restitution was a matter a of law, but as the article shows there are remarkable differences between law and justice

Archaeology · Art · Art history · Cartography · Fell · Geography · German · Looting · Nazism · Political science · Restitution · Sculpture · Statute · Archaeological Research and Protection · Art History and Market Analysis · History · Law · Religion, Theology, History, Judaism, Christianity

Citation velocityhistorical
Highly citedNo

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