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Le traitement de la Shoah dans la pièce de Thomas Bernhard, Place des héros

Bibliographic Data

ID16904151
AuthorsMartin Huber (0000-0002-8590-9402), Olivier Mannoni
Year2014
Volume201
Issue2
Pages479-488
Publication date2014-10-22
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueRevue d’Histoire de la Shoah (JOURNAL)
Journal identifiersISSN: 2111-885X • E-ISSN: 2553-6141
PublisherCAIRN (PUBLISHER)
DOI10.3917/rhsho.201.0479
OpenAlexW2613058157
LanguageFR

This article looks at Thomas Bernhard’s play, Heldenplatz, which he wrote in 1988, on the anniversary of the Third Reich’s 1938 annexation of Austria into Nazi Germany. The play, which explores Jewish history through the lens of a Jewish family in Vienna, provoked a heated debate. The scandal caused by the play can be seen as a Kulturkampf over the meaning of the fifty-year period in Austrian history leading up to 1988. Heldenplatz is not directly about the Holocaust. However, Bernhard uses the play to address Austria’s attitude toward its Nazi past and its post-war guilt

Art · Humanities · German History and Society · Philosophy

Citation velocityhistorical
Highly citedNo

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