Fashion for every-body
A review of the film fatafati
Bibliographic Data
| ID | 16916624 |
|---|---|
| Authors | Kishan Kumar Mishra (0009-0003-3277-2486, Indian Institute of Technology Roorkee, corresponding author), Nagendra Kumar (0000-0002-8292-7947, Indian Institute of Technology Roorkee) |
| Year | 2025 |
| Volume | 14 |
| Issue | 2 |
| Pages | 1-5 |
| Publication date | 2025-03-28 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Fat Studies (JOURNAL) |
| Journal identifiers | ISSN: 2160-486X • E-ISSN: 2160-4851 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/21604851.2025.2485714 |
| OpenAlex | W4408961366 |
| Language | EN |
| References cited | 9 |
In the contemporary context, the Indian film industry has produced a considerable amount of films based on body positivity. These films, on the one hand, break the traditional norms of representing
Aesthetics · Art · Architecture, Design, and Social History · Art, Politics, and Modernism · Communication · Fashion and Cultural Textiles · Psychology
| Highly cited | No |
|---|