When ‘#xmasangels’ Tweet
A Reception Study of Craftivism as Christian Witness
Bibliographic Data
| ID | 16929160 |
|---|---|
| Authors | Taylor (0000-0002-9189-3187, Flinders University, corresponding author), Steve Taylor (0009-0007-4684-5956), Shannon Taylor, Shannon E Taylor (0000-0003-3490-3307, University of Otago, corresponding author) |
| Year | 2020 |
| Volume | 7 |
| Issue | 2 |
| Pages | 143-162 |
| Publication date | 2020-12-16 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Ecclesial Practices (JOURNAL) |
| Journal identifiers | ISSN: 2214-4463 • E-ISSN: 2214-4471 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/22144471-bja10016 |
| OpenAlex | W3115985282 |
| Language | EN |
Craftivism combines craft and activism. This paper contributes to the field of contemporary culture, mission, and creative making by examining the Christmas Angels project, in which local churches yarn-bomb hand-knitted angels, as an ecclesial expression of craftivism. Recipient responses to this fresh expression of Christian witness are analysed by examination of over 1,100 ‘#xmasangel’ tweets. Analysis reveals a found theology, in which angels are received with joy and surprise, understood in the context of love, experienced as a place-based gift and embody a participative making. A missiology of making is developed, reading the yarn-bombed Christmas angels as an ecclesial practice of witness in continuity with a theology of making in the Wisdom literature and ‘craft-egesis’ of mission in Acts. The research has relevance in exploring the potential of digital data in empirical ecclesial research and challenging missiology to be practical in ‘making’ a domestic turn
Aesthetics · Art · Context (archaeology · Craft · Expression (computer science · Missiology · Political science · Reading (process · Sociology · Surprise · Theology · Visual arts · Witness · Communication · Computer Science · History · Law · Media, Religion, Digital Communication · Pentecostalism and Christianity Studies · Philosophy · Religious Tourism and Spaces
| Highly cited | No |
|---|