Os traços do visível
Sobre o" problema da representação" na arquitetura
Bibliographic Data
| ID | 16952256 |
|---|---|
| Authors | Mário Henrique Simão D'Agostino, Mário Henrique Simão D’Agostino (0000-0003-3620-7209, Universidade de São Paulo, corresponding author) |
| Year | 2005 |
| Volume | 0 |
| Issue | 18 |
| Pages | 34 |
| Publication date | 2005-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Pós. Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP (JOURNAL) |
| Journal identifiers | ISSN: 1518-9554 • E-ISSN: 2317-2762 |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2317-2762.v0i18p34-47 |
| OpenAlex | W2066338549 |
| Language | PT |
Accurate perspective - the graphic representation used in architecture - has been subject of much controversy ever since the italian renaissance. Leon Battista Alberti, the first scholar to theorize on the" Brunelleschian invention" in the realm of painting (De Pictura), proscribes this resource in his De Re Aedificatoria, arguing against illusionism in architectural drawing. Throughout the centuries, perspective gained other meanings, yet not much different from its original intention. This text analyzes the reasons behind its historical permanence and finds common ground for opinions in favor of and against its artistic legitimacy
Art · Art history · Humanities · Legitimacy · Library science · Painting · Political science · Realm · Sociology · The Renaissance · Visual arts · Architecture and Art History Studies · Computer Science · Diverse academic and cultural studies · History · Law · Architecture
| Highly cited | No |
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