Early Music, Notation and Performance
An interview with Clive Brown
Bibliographic Data
| ID | 16953333 |
|---|---|
| Authors | Martin Held (0000-0003-0724-2646, Universidade de São Paulo), Clive Brown (0000-0002-8858-4578, University of Music and Performing Arts Vienna) |
| Year | 2022 |
| Issue | 42 |
| Pages | 1-10 |
| Publication date | 2022-10-20 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Per Musi (JOURNAL) |
| Journal identifiers | ISSN: 1517-7599 • E-ISSN: 2317-6377 |
| Publisher | Universidade Federal de Minas Gerais - Pro-Reitoria de Pesquisa (PUBLISHER) |
| DOI | 10.35699/2317-6377.2022.39099 |
| OpenAlex | W4307302040 |
| Language | EN |
In this interview granted to Marcus Held, Clive Brown discourses about his career dedicated to the historical investigations related to the 18th and 19th centuries music, with emphasis on past performance practices. Brown, who witnessed the consolidation of the Early Music in England, recalls the processes of (re)discovery not only of the past repertoire, but also of the musical thought. With particular interest in musical notation and its intellectual processes, the researcher points that the approach to the score has definitely changed throughout the centuries and, from that, many challenges are posed for the activity of contemporary musical editing
Aesthetics · Art · Linguistics · Literature · Music history · Musical · Musical notation · Notation · Performance Practice · Repertoire · Visual arts · Diverse Musicological Studies · History · Music History and Culture · Musicology and Musical Analysis · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |