Os ideais de entoação no século XVIII e suas conseqüências na prática interpretativa
Bibliographic Data
| ID | 16953378 |
|---|---|
| Authors | Alberto Pacheco (0000-0002-7657-8744, Universidade Estadual de Campinas (UNICAMP)), Adriana Giarola Kayama (Universidade Estadual de Campinas (UNICAMP)) |
| Year | 2003 |
| Issue | 08 |
| Pages | 57-65 |
| Publication date | 2003-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Per Musi (JOURNAL) |
| Journal identifiers | ISSN: 1517-7599 • E-ISSN: 2317-6377 |
| Publisher | Universidade Federal de Minas Gerais - Pro-Reitoria de Pesquisa (PUBLISHER) |
| DOI | 10.35699/2317-6377.2003.55786 |
| OpenAlex | W4409350263 |
| Language | PT |
In this article we intend to identify the ideals of intonation in the eighteenth century, when the Italian castrati dominated vocal practice and pedagogy. We will note that these ideals interfered in musical performance practice, in particular, when dealing with the performance of appoggiaturas, portamentos and musical ornamentations which involved sound “frequency fluctuations”
| Highly cited | No |
|---|