Burned Out Myths and Vapour Trails
Vaporwave’s Affective Potentials
Bibliographic Data
| ID | 16964652 |
|---|---|
| Authors | Padraic Killeen (0000-0001-6722-9342, Trinity College Dublin, corresponding author) |
| Year | 2018 |
| Volume | 2 |
| Issue | 1 |
| Pages | 626-638 |
| Publication date | 2018-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Open Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 2451-3474 • E-ISSN: 2451-3474 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/culture-2018-0057 |
| OpenAlex | W2910301185 |
| Language | EN |
| Citations received | 6 |
| References cited | 9 |
As a “born digital” audiovisual music genre and visual aesthetic, vaporwave channels remnants of popular culture, advertising, and consumer technology from the 1980s and early 1990s. retrieving the strange sense of affective potential that still echoes within the outmoded, depleted myths of that era. In doing so, it opens up a unique vantage-point on our present moment, and our contemporary attachments to digital media and a still unrelenting consumer culture. Just as Walter Benjamin believed “revolutionary energies” to resound in the outmoded objects of nineteenth century culture, vaporwave invites us to recognise the affective potentials still incipient in the sounds and images of the recent past and, in doing so, to acknowledge the affective potential available in our own cultural moment
Advertising · Aesthetics · Art · Consumer Culture · Literature · Mythology · Popular culture · Sociology · Cybernetics and Technology in Society · Digital Media and Philosophy · Posthumanist Ethics and Activism
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,75 |
| Citation span | 2018 - 2025 (8) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |