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The Woman in Song of Songs

Bibliographic Data

ID16969461
AuthorsDirk G Van der Merwe (0000-0001-9402-3702, corresponding author), Dirk Van der Merwe
Year2017
Volume25
Issue2
Pages572-594
Publication date2017-05-09
Open AccessNo
TypeARTICLE
VenueJournal for Semitics (JOURNAL)
Journal identifiersISSN: 1013-8471 • E-ISSN: 2663-6573
PublisherUnisa Press (PUBLISHER • ZA)
DOI10.25159/1013-8471/2536
OpenAlexW2743138973
LanguageEN
Citations received1
References cited11

The woman in Song of Songs seems to be the main character in dialogue with a lover and friends. Over many centuries several hypotheses have appeared about the epistemological questions concerning the identity and character of this woman as well as the interpretation of her dialogue with other characters in the Song. The unencumbered, rich and vibrant metaphoric text of Song of Songs describes the woman as a most beautiful and dynamic character. This research intends not to become involved in these debates but only to attempt to investigate in a coherent way the following topics, “A literary interpretation and some general remarks†, “The identity of the woman†, “The character of the woman†, “The woman in different relationships†and finally “The function of the woman in the rhetoric of the authorâ€

Aesthetics · Art · Character (mathematics) · Identity (music) · Interpretation (philosophy) · Linguistics · Literature · Rhetoric · Asian Studies and History · History · Philosophy

  • The bride as a ‘locked garden’

    Open Access•Kivatsi Jonathan Kavusa•Verbum et Ecclesia•2022

  • What Will Ye See in the Shulammite? Women, Power and Panopticism in the Song of Songs

    Donald C Polaski•Biblical Interpretation•1997

Citations per year0.25
Citation span2022 - 2022 (1)
Highly citedNo

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