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Abandon All Hope Ye Who Enter…High School? Dante's Commedia and Buffy the Vampire Slayer

Bibliographic Data

ID17570918
AuthorsCarmelo A Galati (0000-0002-5038-4423, corresponding author)
Year2022
Volume50
Issue2
Pages80-92
Publication date2022-04-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Popular Film and Television (JOURNAL)
Journal identifiersISSN: 0195-6051 • E-ISSN: 1930-6458
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/01956051.2022.2057406
OpenAlexW4286320202
LanguageEN
References cited6

The article studies Dante’s Commedia and its influence on American televisual culture. In addition to exploring how the poem has shaped the audience’s perception of the afterlife, it observes how the television series Buffy the Vampire Slayer (1997–2003) interweaves, appropriates, and adapts the medieval text into its series arc. Throughout its production, Buffy the Vampire Slayer received critical praise and recognition, including a 1999 Emmy Awards nomination and, in 2014, was included in Time magazine’s “100 Best TV Shows of All Time.” In addition, the series has amassed a place in academia, in part due to the publication of Slayage: The Journal of the Whedon Studies Association. Although the program is worthy of further intellectual exploration, often it is snubbed because of its content and medium, television. Throughout its seven-year span, the show has appropriated Sophocles, Shakespeare, the Brothers Grimm, T. S. Eliot, and E. M. Forster throughout each season’s main story arc. However, what is striking about the series is that it playfully hides one of its primary sources from view: Dante. The article explores how Dante’s adaptation and appropriation raise the show’s status of low, domestic culture to a higher level of art and transtextuality

Advertising · Appropriation · Art · Art history · Dracula · Literature · Media studies · Poetry · Praise · Sociology · Vampire · Windsor · Gothic Literature and Media Analysis · Literature, Magical Realism, García Márquez · Philosophy · Shakespeare, Adaptation, and Literary Criticism

  • Why Buffy Matters

    Rhonda V Wilcox, Rhonda Wilcox•Why Buffy Matters•2005

  • Dante's Contrapasso

    Peter Armour•Italian Studies•2000

  • Inferno X

    Charles S Singleton•Modern Language Notes•1962

  • Contrapasso

    Victoria Kirkham•Modern Language Notes•2012

  • Buffy the Vampire Slayer and Philosophy

    Open Access•Rebecca Housel•The Journal of Popular Culture•2004

Citation velocityhistorical
Highly citedNo

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