“With His Own Generation in His Bones”
Claude C. H. Williamson and the Plagiarism of T. S. Eliot’s Shakespeare Criticism
Bibliographic Data
| ID | 17668228 |
|---|---|
| Authors | Alex Feldman (0000-0002-1733-4598, corresponding author) |
| Year | 2020 |
| Volume | 34 |
| Issue | 4 |
| Pages | 297-307 |
| Publication date | 2020-01-16 |
| Open Access | No |
| Type | ARTICLE |
| Venue | ANQ A Quarterly Journal of Short Articles Notes and Reviews (JOURNAL) |
| Journal identifiers | ISSN: 0895-769X • E-ISSN: 1940-3364 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/0895769x.2020.1714418 |
| OpenAlex | W2999913412 |
| Language | EN |
| References cited | 14 |
It feels only appropriate, in an essay on plagiarism, to borrow my opening remarks from those of another critic. As Bradley Greenburg (215) observes, for the American edition of T. S. Eliot's Eliza
Art · Art history · Criticism · Literature · Modernist Literature and Criticism · Philosophy · Philosophy, Ethics, and Existentialism · Samuel Beckett and Modernism
| Highly cited | No |
|---|