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“I’m Not a Musician, But…”

Negotiating the Research Process in Examining the Lives of Musicians

Bibliographic Data

ID17802441
AuthorsMichael Ramirez (Texas A&M University – Corpus Christi, corresponding author)
Year2014
Volume10
Issue3
Pages80-93
Publication date2014-07-31
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueQualitative Sociology Review (JOURNAL)
Journal identifiersISSN: 1733-8077 • E-ISSN: 1733-8077
PublisherUniversity of Lodz Press (PUBLISHER • PL)
DOI10.18778/1733-8077.10.3.04
OpenAlexW4205686410
LanguageEN
References cited26

Identity politics have been of considerable interest to the qualitative research tradition as researchers have speculated on the extent to which identity and positionality matter in the field. In this autoethnography, I analyze private writings I composed while studying musicians’ life course trajectories in musical careers, paying particular attention to the methodological implications of my fieldwork decisions. I concentrate on: 1) issues of access, 2) identity politics, and 3) the ethics of relationships in the field. I analyze the extent to which I negotiated several (sometimes conflicting) ways I presented my identity in different settings and among different populations. My presentation of self-strategies – sometimes intentional, other times haphazard – allowed me successful entrée to the music world, though I remained an outsider within. I conclude with methodological implications highlighting the ways researchers’ identities may influence the research process and suggestions for qualitative researchers to consider in future studies

Aesthetics · Autoethnography · Epistemology · Identity politics · Musical · Negotiation · Political science · Politics · Qualitative research · Social science · Sociology · Visual arts · Diverse Music Education Insights · Diversity and Impact of Dance · Gender Studies · Law · Qualitative Research Methods and Ethics

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Citation velocityhistorical
Highly citedNo

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