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Kate O’Brien’s Queer Nuns

Bibliographic Data

ID17820165
AuthorsMichael G Cronin (National University of Ireland, Maynooth, corresponding author)
Year2026
Volume15
Issue4
Pages58-58
Publication date2026-04-17
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueHumanities (JOURNAL)
Journal identifiersISSN: 2076-0787 • E-ISSN: 2076-0787
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/h15040058
OpenAlexW7154707775
LanguageEN
References cited16

This is a study of the nun as a queer archetype of femininity across Kate O’Brien’s fiction and non-fiction. Alongside characters who are actual nuns, the fiction includes characters who can be described as ‘nun-like,’ especially in their renunciation of sexual desire. In the fiction, this secular renunciation is aligned with religious celibacy as actively chosen and ethically purposeful and situated as similar to artistic creativity. The study argues that O’Brien’s nuns are paradoxical and queer figures, undermining the temporality, class politics and models of human subjectivity central to O’Brien’s own ideological commitments. Attending to these nun figures prompts significant questions about the liberal feminist politics underpinning contemporary O’Brien studies and the prevailing critical reception of O’Brien as an exemplary Irish woman writer

Archetype · Femininity · Feminism · Ideology · Politics · Queer · Queer theory · Renunciation · Subjectivity · Evelyn Waugh and Hans Urs von Balthasar Studies · Irish and British Studies · Medieval Literature and History

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Citation velocityhistorical
Highly citedNo

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