Historical Visualization

The role of historical film in the overall memory of the people and shaping the nation identity is an important phenomenon, particularly within a culturally diverse society such as China. Although the ideological symbolism in individual movies, and the way these methods have evolved over the years, has been addressed in the current literature, the systematic analysis of how changing cinematic techniques and emotional storytelling have helped a nation form their identity at various times in history is still lacking. This paper will fill this gap by discussing how the Chinese historical cinema changes over time during the Republic period and up to the present day in terms of their narrative techniques, visual symbols and use of new technology. The study explores selected movies in three great periods of embryonic, mainstream socialist and commercially transformed periods via a qualitative, multi-modal analysis framework. It explores how camera effects, focalization, and emotional appeal are used to fulfill the need to have the past and the present collide and be real. The results indicate that the classic national allegories give way to emotional descriptions of the identity of individuals and groups, which is frequently achieved by de-heroization and humanization of the main characters. It is these changes in cinema that allow people to work with the history of the country, not only at the intellectual level, but also at the level of the gut. The research comes to the conclusion that modern Chinese historical cinema is effective to close certain gaps between the past and the present and to translate abstract national ideas into living emotional experience building a strong cultural identity in digital epoch

Appeal · Ideology · Mainstream · Movie theater · Narrative · National cinema · National identity · Cinema and Media Studies · Ethics, Aesthetics, and Art · Hong Kong and Taiwan Politics