Globally Marginalized People Shifting Temporalities Through Arts-Based Methodologies in Educational Research
Bibliographic Data
| ID | 17826596 |
|---|---|
| Authors | Grace D Player (0000-0002-2372-4971, corresponding author), Ankhi Thakurta (0000-0002-4773-519X) |
| Year | 2024 |
| Volume | 13 |
| Issue | 4 |
| Pages | 58-90 |
| Publication date | 2024-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Departures in Critical Qualitative Research (JOURNAL) |
| Journal identifiers | ISSN: 2333-9489 • E-ISSN: 2333-9497 |
| Publisher | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/dcqr.2024.13.4.58 |
| OpenAlex | W4405441430 |
| Language | EN |
| Citations received | 1 |
| References cited | 15 |
This multimodal essay represents the authors’ meditations on the power and potential of arts-based methodologies that attend to the creative traditions of Globally Marginalized People (GMP). We consider how engaging our own breadth of literacies, cultural wealth, and wells of embodied and experiential knowledges informs our research and praxis. Specifically, we investigate how harnessing these ways of knowing and being enables temporal shifting that can lead to vivid, robust, and visionary theorizations and understandings of justice for GMP. To illustrate our own temporal shifting, we offer multimodal autohistoria-teoría to illustrate how arts serve our theoretical and empirical work
Aesthetics · Art · Embodied cognition · Epistemology · Experiential learning · Pedagogy · Political science · Praxis · Sociology · Temporalities · The arts · Visual arts · Critical Race Theory in Education · Educator Training and Historical Pedagogy · Global Education and Multiculturalism
Excavating Embodied Literacies Through a Chicana/Latina Feminist Framework
Afrocarnival
“I Hesitate but I Do Have Hope”
Black Storytellers and Everyday Liberation
The Door Was Always There”
A Run // on black study
Autohistoria-teoría
Jordan Casteel
Enfleshing temporal insurgencies and decolonial times
Time traveling forward and backward
Black indigenous and people of color arts as a premise of/for methodological theories of justice
Mixing mediums, mixing selves
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |