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From Dr. Moreau to Dr. Mengele

The Biological Sublime

Bibliographic Data

ID18036403
AuthorsElana Gomel (0000-0002-5844-4603, English, Tel Aviv, corresponding author)
Year2000
Volume21
Issue2
Pages393-421
Publication date2000-06-01
Open AccessNo
TypeARTICLE
VenuePoetics Today (JOURNAL)
Journal identifiersISSN: 0333-5372 • E-ISSN: 1527-5507
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/03335372-21-2-393
OpenAlexW2069540811
LanguageEN
Citations received7
References cited15

This article discusses the cultural genealogy of the image of Dr. Death:the godlike surgeon with power over life and death, who uses this power to torture and mutilate. First appearing in H. G. Wells's The Island of Doctor Moreau (1896), this image has become firmly associated with Nazi medicine, as demonstrated by Lucius Shepard's short story“Mengele” (1989). This association accurately reflects the ideological trajectory, which involves the transformation of social Darwinism and eugenics, reflected in Wells's novel, into the“bio-ideologies” of fascism and National Socialism. The essay argues that Dr. Death is a variant of the fascist New Man, a new modality of corporeal subjectivity, produced through the utilization of the sublime experience of violence for ideological ends. Rooted in the aftershocks of the Darwinian revolution, the new perception of nature as cruel and rapacious fueled a desire to “naturalize” society by rejecting traditional morality. In parallel, there arose a dream of new subjectivity of the scientific Übermensch, whose imitation of the cruelty of nature would elevate him above ordinary humanity. Science became a source of a sublime experi-ence based on violence and pain that promised to transform the torturer-physician into a New Man without bodily weakness and psychological self-division. The essay combines a theoretical argument on the connection between sublimity and pain with a historical overview of the rise of bio-ideologies. It ends with an analysis of The Island of Doctor Moreau, pointing out parallels between the novel and contemporary representations of Mengele

Aesthetics · Art · Criminology · Cruelty · Darwinism · Epistemology · Eugenics · Humanity · Ideology · Literature · Morality · Nazism · Political science · Politics · Psychoanalysis · Social Darwinism · Sociology · Subjectivity · Sublime · Italian Fascism and Post-war Society · Law · Medical History and Research · Philosophy · Philosophy, Ethics, and Existentialism · Psychology

  • The House of Pain

    Open Access•Elana Gomel•Journal of Posthumanism•2023

  • From Mad Scientist to Bad Scientist

    Open Access•Neil Gerlach, Sheryl N Hamilton•Communication Theory•2005

  • The monstrous-feminine, the colonial body, and Dr. Moreau

    James A Tyner•Gender Place & Culture•2022

  • This Shattered Prison”

    Rebecca E May•Nineteenth Century Contexts•2011

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    Robert Tindol•Changing English•2013

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    Galia Benziman•Women s Studies•2006

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    William Paley•1802

  • Discipline and Punish

    Michel Foucault, Simon Prebble•Surveiller et punir•2019

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    Open Access•Andrew Ashfield, Peter De Bolla•Sublime•1996

  • Critique of Judgment

    Immanuel Kant•Art and Its Significance•1994

  • The science fiction of H. G. Wells

    T A Shippey•Science Fiction•2014

  • Evolution and ethics

    Thomas Henry Huxley•1895

  • Hitler and the Jews

    Fritz Stern, Philippe Burrin et al.•Foreign Affairs•1994

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    Terry Eagleton, Terry Francis Eagleton•1990

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    Jean-François Lyotard, Geoff Bennington et al.•1984

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    George Basalla, Roslynn D Haynes•Technology and Culture•1996

Citations per year0.33
Citation span2005 - 2023 (19)
Highly citedNo

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