TDR Cont
Sharon Mazer responds to Stephanie Nohelani Teves
Bibliographic Data
| ID | 18063725 |
|---|---|
| Authors | Sharon Mazer (0000-0002-9473-5109, Auckland Institute of Studies, corresponding author) |
| Year | 2019 |
| Volume | 63 |
| Issue | 2 |
| Pages | 195-199 |
| Publication date | 2019-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | TDR/The Drama Review (JOURNAL) |
| Journal identifiers | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/dram_a_00851 |
| OpenAlex | W2947359916 |
| Language | EN |
| References cited | 9 |
June 01 2019 TDR Cont.: Sharon Mazer responds to Stephanie Nohelani Teves Sharon Mazer Sharon Mazer Sharon Mazer is Associate Professor of Theatre and Performance Studies in Te Ara Poutama, the Faculty of Māori and Indigenous Development at Auckland University of Technology. She is author of Professional Wrestling: Sport and Spectacle (University Press of Mississippi, 1998) and I Have Loved Me a Man: The Life and Times of Mika (Auckland University Press, 2018), and editor of The Intricate Art of Actually Caring and Other New Zealand Plays (Seagull Books, 2018). Her most recent article for TDR was “Donald Trump Shoots the Match” (2018). Search for other works by this author on: This Site Google Scholar Author and Article Information Sharon Mazer Sharon Mazer is Associate Professor of Theatre and Performance Studies in Te Ara Poutama, the Faculty of Māori and Indigenous Development at Auckland University of Technology. She is author of Professional Wrestling: Sport and Spectacle (University Press of Mississippi, 1998) and I Have Loved Me a Man: The Life and Times of Mika (Auckland University Press, 2018), and editor of The Intricate Art of Actually Caring and Other New Zealand Plays (Seagull Books, 2018). Her most recent article for TDR was “Donald Trump Shoots the Match” (2018). Online Issn: 1531-4715 Print Issn: 1054-2043 ©2018 New York University and the Massachusetts Institute of Technology2018New York University and the Massachusetts Institute of Technology TDR/The Drama Review (2019) 63 (2 (242)): 195–199. https://doi.org/10.1162/dram_a_00851 Connected Content This is a correction to: The Theorist and the Theorized: Indigenous Critiques of Performance Studies Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Sharon Mazer; TDR Cont.: Sharon Mazer responds to Stephanie Nohelani Teves. TDR/The Drama Review 2019; 63: 2 (242), 195–199. doi: https://doi.org/10.1162/dram_a_00851 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsTDR/The Drama Review Search Advanced Search This content is only available as a PDF. View Original Article ©2018 New York University and the Massachusetts Institute of Technology2018New York University and the Massachusetts Institute of Technology Article PDF first page preview Close Modal You do not currently have access to this content
Art · Art history · Media studies · Political science · Sociology · Spectacle · Diversity and Impact of Dance · History · Law · Posthumanist Ethics and Activism · Theatre and Performance Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |