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Creating Spaces of Music Asylum in Ethnically Divided Contexts

Young People’s Accounts from Bosnia and Herzegovina and Sri Lanka

Bibliographic Data

ID18950656
AuthorsG Howell (0000-0002-5621-8143, The University of Melbourne), Solveig Korum
Year2022
Volume8
Issue1
Pages258-274
Publication date2022-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueConflict and Society (JOURNAL)
Journal identifiersISSN: 2164-4543 • E-ISSN: 2164-4551
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/arcs.2022.080116
OpenAlexW4312339445
LanguageEN
Citations received2
References cited13

This article explores the ways in which arts experiences in conflicted and territorialized settings may invite a heightened engagement with space, and what this suggests about creative experiences as a vehicle for transforming space and the (re)construction of one’s presence and place in the world. Presenting ethnographic data from two youth music projects established after the wars in Bosnia and Herzegovina and Sri Lanka and argued from the perspective of musician-practitioner-researchers, the authors examine how musical interaction, improvisation, and performance creation enabled processes of exploring, reconfiguring, and expanding the participants’ identities and sense of place in the surrounding world. Using Tia DeNora’s conceptualization of “music asylum,” the article shows how strategies of removal and refurnishing created creative and safe spaces in which alternative lives and more complex identities could be rehearsed and conflict narratives could be revised, fostering a temporary transformation of space that is captured in metaphors like bubble, refuge, and sanctuary

Aesthetics · Art · Conceptualization · Ethnic group · Ethnically diverse · Ethnography · Improvisation · Linguistics · Literature · Media studies · Musical · Narrative · Sociology · South asia · Sri lanka · The arts · Visual arts · Anthropology · Diverse Musicological Studies · Gender Studies · Music History and Culture · Musicology and Musical Analysis

  • On the interconnectedness of music and peacebuilding

    Open Access•Jenni Kilpi•Research Studies in Music Education•2026

  • Building social connection and inclusion through rock music in the Western Balkans

    Open Access•G Howell, Brydie-Leigh Bartleet et al.•Research Studies in Music Education•2024

  • In My Mother's House

    Sharika Thiranagama, Gananath Obeyesekere•In My Mother's House•2011

  • Achieving the Ordinary

    Open Access•Keziah Conrad•Conflict and Society•2018

  • "Once We Had a House"

    Open Access•Azra Hromadžić•Social Analysis•2012

  • Making music in divided cities

    G Howell, Lesley Pruitt et al.•International Journal of…•2019

  • Sarajevo’s ambivalent memoryscape

    Open Access•Stefanie Kappler•Memory Studies•2016

  • Competing economies of worth in a multiagency music and reconciliation partnership

    Solveig Korum, G Howell•International Journal of Cultural…•2020

  • Community music

    Ornette D Clennon•Music Education Research•2013

  • Qualitative Data Analysis

    Open Access•Matthew B Miles, A Michael Huberman•Journal of Environmental Psychology•1994

  • The use of 'bubble' as an economic metaphor in the news

    Open Access•Ángel Arrese•Language & Communication•2021

  • Charred Lullabies

    E V Daniel•Charred Lullabies•1996

  • Legends of People, Myths of State

    B Kapferer•Legends of people, myths of state•2022

  • The participatory arts-based research project as an exceptional sphere of belonging

    Open Access•C Nunn•Qualitative Research•2022

Unique citing works2
Citations per year1
Citation span2024 - 2026 (3)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2

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