Archetypical Symbols in the Modern Tuvan Culture
Bibliographic Data
| ID | 18955299 |
|---|---|
| Authors | Choygan Kh Sanchay (0000-0002-6929-9050, Tuvan State University, corresponding author), Maria S Kukhta (0000-0001-8643-785X, National Research Tomsk State University) |
| Year | 2019 |
| Pages | 1132-1145 |
| Publication date | 2019-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Siberian Federal University Humanities & Social Sciences (JOURNAL) |
| Journal identifiers | ISSN: 1997-1370 • E-ISSN: 2313-6014 |
| Publisher | Siberian Federal University (PUBLISHER • RU) |
| DOI | 10.17516/1997-1370-0445 |
| OpenAlex | W2969619622 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
Scientific relevance of dance culture is driven by studying specifics of traditional and modern dance correlation with new methodology. The article aims analyzing the mechanisms of archetypal symbols translation in modern stage dances of Tuva. For that, the following tasks involving the relation between archetype with totem being considered and representation of archetypal symbols in the structure of modern Tuvan choreography being revealed are achieved in this work. The study allows concluding on morphological stability of the ancient Tuvan ideas preserved in the sacred kinetics of dances reflecting of the world’s multidimensionality; on permanent relationship with traditional ideas about the spirits of ancestors and gods. The Tuvan worldview specificity, expressed through the dance culture, keeps this tradition alive
Aesthetics · Ancient culture · Archetype · Art · Choreography · Dance · Epistemology · Literature · Politics · Sociology · Totem · Anthropology · Asian Culture and Media Studies · Computer Science · Folklore, Mythology, and Literature Studies · Philosophy
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |