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What has Dheisheh to do with Doncaster

Bibliographic Data

ID18955534
AuthorsPaul Fitzpatrick (0000-0002-6018-6658, Doncaster Conversation Club, UK [email protected], corresponding author)
Year2022
Volume5
Issue1
Pages136-140
Publication date2022-06-01
Open AccessYes
TypeARTICLE
VenueMigration and Society (JOURNAL)
Journal identifiersISSN: 2574-1306 • E-ISSN: 2574-1314
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/arms.2022.050112
OpenAlexW4223559941
LanguageEN

My visit to the Stateless Heritage exhibition at the Mosaic Rooms, London, led me to reexamine how the concept of “heritage” is used to create and preserve particular narratives of the state, in this case by proposing Dheisheh Refugee Camp in Palestine as a World Heritage Site. Central to the exhibition was the madafeh , seen as a space of openness and hospitality. I am not a refugee and do not speak for refugees. I interpret the Decolonizing Art and Architecture Research (DAAR) collective’s decolonizing project in the context of attempts to make room for people seeking asylum within “asylum dispersal areas” such as Doncaster, where I live—attempts in which the madafeh could play an important role

Aesthetics · Archaeology · Art · Context (archaeology) · Exhibition · Hospitality · Literature · Media studies · Narrative · Openness to experience · Palestine · Refugee · Sociology · Tourism · Visual arts · Architecture · History · Jewish and Middle Eastern Studies · Memory, Trauma, and Commemoration · Middle East Politics and Society · Psychology · Social Psychology

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