On Tendencies in the Modern Art Culture of Siberia (Based on Musical and Spectacular Projects of Tuva)
Bibliographic Data
| ID | 18959395 |
|---|---|
| Authors | Novosibirsk State Conservatory Of M I Glinki (Magnitogorsk State Conservatory named after M I Glinka, corresponding author), Karelina Ekaterina K |
| Year | 2018 |
| Volume | 11 |
| Issue | 8 |
| Pages | 1261-1273 |
| Publication date | 2018-08-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Siberian Federal University Humanities & Social Sciences (JOURNAL) |
| Journal identifiers | ISSN: 1997-1370 • E-ISSN: 2313-6014 |
| Publisher | Siberian Federal University (PUBLISHER • RU) |
| DOI | 10.17516/1997-1370-0305 |
| OpenAlex | W2891137143 |
| Language | EN |
| References cited | 2 |
The article is devoted to the trends in the modern art culture of Siberia. The throat singing art of the Tuvans, one of the indigenous ethnic groups of Siberia, has been acknowledged at the international level. The latest events in the musical and cultural life of the Republic of Tuva have not become a research object for musicology yet, so the article addresses the phenomena of the last decade's musical culture of the Republic of Tuva. It considers the genre problem of modern Tuvan art. The research methodology is based on the systematic approach, combined methods of musical and cultural analysis. The purpose of the article is to determine the genre specificity of musical and spectacular projects. The material was musical stagings musical dramatizations, choreographic performances and concert programs of orchestral groups (Tuvan National Orchestra, the Brass Band and the Symphonic Orchestra). The author notes the interest for the underlying fundament of ethnic culture and puts forward the concept of "syncresis of the second order" in the analysis of ethnoballets, programs of "Sayany" National Ensemble of Song and Dance and Tuvan National Orchestra. Creative projects of the Brass Band are characterized by the manifestation of the so-called "crossover" phenomenon. A special genre mix (musical-visual art-poetry) was demonstrated by the "The Wind's Song of the Age of Change" project of the symphonic orchestra. As a result, the article presents the evaluation of different genre modifications in Tuvan musical art from the position of interaction between different types of cultures, searching for new meanings of addressing the ethno-archaic culture. In this context, modern creativity is a sort of a channel for transmitting axiological meanings of Siberian ethnic cultures into the global cultural space
Aesthetics · Archaeology · Art · Cultural landscape · Geography · Musical · Visual arts · Discourse Analysis and Cultural Communication · Environmental Engineering and Cultural Studies · History · Language, Communication, and Linguistic Studies
| Highly cited | No |
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