Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Horse's hoof motif in the art of ancient nomads (genesis and symbolism)

Bibliographic Data

ID18965698
AuthorsVladimir Kisel (0000-0002-7498-4837, Peter the Great's Museum of Anthropology and Ethnography, corresponding author)
Year2021
Pages82-105
Publication date2021-12-01
Open AccessYes
TypeARTICLE
VenueCamera praehistorica (JOURNAL)
Journal identifiersISSN: 2658-3828 • E-ISSN: 2658-6665
PublisherPeter the Great Museum of Anthropology and Ethnography of the Russian Academy of Sciences (The Kunstkamera) (PUBLISHER)
DOI10.31250/2658-3828-2021-2-82-105
OpenAlexW4206466109
LanguageEN

Among the motives of the ancient nomads’s art, the horse’s hoof attracts special attention of specialists. The sign of hoof is reproduced in the form of a schematic image of a part of a leg (sometimes a pair of hind legs) or an abstract pattern of the hoof’s footprint. Several regional cultural and stylistic areas can be distinguished. The first area is located in the Sayano-Altai region and adjacent territories. The figurative element of the hoof here is presented mainly on ladles and less often on cheek-pieces, and the abstract element of the hoof’s footprint placed on petroglyphs and harness buckles. The second area includes the Dnieper region, the Kuban region, the Caucasus and Iran, where both depicted elements are placed on the cheek-pieces. The South Ural is considered as a buffer zone where European and Asian influences collided. The figurative element here adorns mainly the cheek-pieces, while the abstract element decorates the buckles. The Khakass-Minusinsk Hollow and Kazakhstan are special areas with specific sets of items. The hoof signs in petroglyphs were depicted from the end of the Bronze Age up to the ethnographic time. The hoof signs on items appeared in the second half of the 8th – first half of the 7th century BC. The earliest finds were found in Altai. Probably the Asian territories played the most important role in the development of the hoof’s motive. The disappearance of the horse hoof images from nomadic art occurred in the 3rd century BC. In the second half of the 7th century BC the motive penetrated the Middle East with the carriers of the ancient nomadic culture. The motive of the horse’s hoof transformed into an additional detail of the animal’s figure — a mouth or an ear. The horse hoof was associated with certain ideas among the ancient nomads. The image of a horse’s hoof in petroglyphs served as a pictogram, ethnic or social emblem. The motive depicted on the objects could also serve as a symbol of a certain group of people. Presumably, these were the royal Scythians, known by the «History» of Herodotus, — an association of nomads those played a significant part in the formation of the archaic Scythian culture

Ancient history · Archaeology · Art · Geography · Hoof · Ancient and Medieval Archaeology Studies · Archaeology and ancient environmental studies · Eurasian Exchange Networks · History · Geology · Paleontology

Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae